Imran Mir : a world that is not entirely reflective but contemplative

Mir came to be acknowledged as the artist who dared to experiment with color and planar fractures, both with a temerity that not many artists could balance with grace.
This need to reject convention and reconstruct it into something dynamically extraordinary was Imran Mir’s guiding principle. It was an idea of constant evolution and change that he lived by. He chose to call his work “Papers” on modern art, considering each body of work as serious as writing a theoretical paper. Hence the First, Second, Third and so on -- till his last Twelfth Paper on Modern Art.