Women on aeroplanes : inflight magazine #1

Coming to a decision includes a process of making something visible and something else invisible, what is of course not only an aesthetical but mainly a political choice in terms of storytelling. Even though a person, a gesture, a matter, a landscape is present in the picture, we might not see it, and whatever remains invisible, we can still have an image or an idea in mind of what is missing. What we are able to see is not least a question of knowledge. The ambitious endeavour to change the grammar of a dominant narrative requires an entire reboot of a (mediated) perception we are all too much used to. We need to edit against the grain having a paradox in mind.