rock, a river, a street

In her experimental debut novella, A Rock, A River, A Street, artist Steffani Jemison moves deftly across narrative genres and styles as she interrogates the boundedness of the self, the possibilities of plurality, and the limits of performance. Titled after Maya Angelou’s poem “On the Pulse of Morning,” the book is punctuated by gestural drawings that point to questions of repetition and difference.