Sara Rahbar : I have no faith left for the devil to take

This is the first book to examine the practice of Sara Rahbar, including her early installations for the Queens Museum of Art, a photographic series made in Tehran, and the politically inspired textile-based works, all which use historically charged materials and forms. Design by Office of Paul Sahre and Essay by Catherine Grenier, adjunct director of Centre Pompidou, Paris.
One of the major characteristics of her work is to restore the dialogue between history and aesthetics. Her work is imbued with the magic that is inherent to the use of historically charged materials and forms.