On collecting

The profession of exhibition making and curatorial practices has over the course of the last twenty years undergone a seminal change, something which in turn has challenged the notion of what an exhibition can be, not least in terms of communication and design. Large scale group exhibitions, like documenta in Kassel or the European biennale Manifesta, seem to have involved discussions on exhibition making and curatorial models at the heart of their organisational body.

Another common aspect of these large-scale events is that they employ new venues for showing and presenting works, be it museums that normally don’t show contemporary art or craft, abandoned factories or various public spaces. The constant exploration in curatorial models and juxtapositions of contexts found in such exhibitions has undoubtedly influenced how museums and galleries work both conceptually and with the spaces at hand.