Concreto e cristal : o acervo do MASP nos cavaletes de Lina Bo Bardi / concrete and crystal : MASP's collection on Lina Bo Bardi's easels

Concrete and crystal: the MASP collection on the trestles of Lina Bo Bardi, which marks the revival of the iconic crystal easels, also called glass trestles, that were the expography designed by Lina Bo Bardi for the current headquarters of the MASP (Art Museum of São Paulo Assis Chateaubriand), inaugurated in 1968. wall, and place them on transparent glass supports supported by a concrete base, and spread them freely through the monumental space of the institution, the architect wanted to question the museum's vision as a privileged cultural space, giving the visitor autonomy to decide the the acquis. Removed in 1996 on the pretext that they damaged the works, the trestles were renovated and reincorporated into the assembly of the collection in December 2015,
Organized by Adriano Pedrosa and Luiza Proença, Concrete and Crystal: the MASP collection on the boards of Lina Bo Bardi brings together more than 300 images of the works of the collection exposed in the presentation of the new easels, along with historical photographs of the original easels and documents related to the theme. The book also features essays by different authors on crystal easels, which approach them from different perspectives, reflecting on their historical, conceptual, and technical aspects.