Rasheed Araeen
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Spanning 60 years, this publication encompasses Rasheed Araeen’s art, editing, and curating activities for the first time, presenting an expanded artistic practice that has had a profound influence on generations of artists, writers, and thinkers.
As a pioneer of minimalist sculpture, a searing advocate of postcolonial and decolonial positions as put forward in the magazine "Black Phoenix" (co-founded by Araeen in 1978–1979) and later in "Third Text" (founded by Araeen in 1987), as curator of the landmark exhibition "The Other Story" (Hayward Gallery, London 1989), or through his recent abstract paintings that draw from the Abbasid period—the golden age of Arab/Muslim civilization, c. 800–1200—Araeen has consistently sought to realign our understanding of modernism imposed by the hegemonic discourses of the West, especially in its concepts, chronology, and form. Dedicated to the key periods of his work, the scholarly essays explore the Karachi paintings, minimalism and conceptualism, the political “turn” of the 1970s and early 1980s, the panel grid works of the 1980s and 1990s, and recent paintings, including the "Homecoming series" (2010–ongoing), as well as Araeen’s writing, editing, and curatorial work.
TitelRasheed Araeen
Auteur
UitgeverJRP/Ringier, van abbe m
Jaar van uitgave2017
Pagina's416 p.
Illustratiesill.
Formaat28 cm
Materiaalboek
ISBN978-3-03764-515-4
Onderwerpminimal art, post-colonial, Modernism
Persoonstrefwoord Rasheed Araeen
Exemplaarnummer | Plaatscode | Uitleenstatus | |
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B-2018/075 | ,73,ARAEEN,1 | Beschikbaar |
Exemplaarnummer | B-2018/075 |
Plaatscode | |
Uitleenstatus | Beschikbaar |